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1998-07-25
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Date sent: Wed, 10 Apr 96 23:03:41 -0500
Subject: please let me cheat
boundary="---------------------------8168215912435"
Great literary works retain their popularity as a result of many different factors. One
such factor which can lead to popularity of a work, current or consistent discussion of a
work's merits, can come into play when an author or playwright leaves questions unanswered
in his work. In Hamlet, William Shakespeare creates such a situation. As a result of the
ambiguity of clues given throughout this play, critics may argue for or against the idea
that Prince Hamlet's "antic disposition" put on as a facade to mislead the royal family
pales in comparison to the disposition of Hamlet's lunatic mind, or in other words, that
Hamlet in fact truly succumbs to insanity. Evidence for this opinion can be derived from
Hamlet's erratic mood changes, careless slaughter of those not directly involved in the
murder of his father, and interactions with the ghost of King Hamlet.
For a man thought to be feigning insanity, Prince Hamlet seems to have very little control
of his emotions. In fact, Hamlet admits this to Horatio, his confidant, when he says, "Sir,
in my heart there was a kind of fighting / That would not let me sleep"
(5.2. lines 4-5). This lack of restraint leads to Hamlet's unpredictable mood swings
throughout the play. Hamlet's relationship with Ophelia easily spawns such dramatic
alterations in the prince's attitude. For example, when Hamlet first suspects Ophelia acts
only as the pawn for Polonius's ploys, he reacts rashly, bitterly denying that he ever loved
her. "You should not have believed me, for virtue cannot so / inoculate our old stock, but
we shall relish of it. I loved / you not" (3.1.117-19). This massive reversal in disposition
is later contrasted by another reversal when Hamlet leaps into Ophelia's open grave at her
funeral to dispute Laertes and claim, "I loved Ophelia, forty thousand brothers / Could not
with all their quantity of love / Make up my sum" (5.1.252-54). These abrupt mood changes
also appear in Hamlet's relationship with his mother. He seemed to believe in his mother's
purity and goodness, but eventually Hamlet seems to hold a great mount of contempt for
Gertrude, especially when he mocks her words, and then snidely proclaims: "You are the
queen, your husband's brother's wife, / And would it were not so, you are my mother"
(3.4.15-16). Such mood swings as these definitely prove, if anything, that Hamlet could not
keep adequate control of his emotions.
This lack of discipline also leads Hamlet to shamelessly murder several people not directly
related to his plot to avenge his father's death. Hamlet kills Polonius in Scene 4 of Act 3
when he becomes startled by the former's cries for help. He the flaunts this deed n the
presence of the King and Laertes. Hamlet also boasts to Horatio of his cunning plan which
resulted in Rosencrantz and Guildenstern delivering their own execution notices to the
English crown. Is it possible for a sane man to gloat over the death of another man by his
own hand? In addition to these deaths, Hamlet can be indirectly linked to the deaths of
Ophelia and Gertrude.
To further this idea of Hamlet's insanity, one can observe the prince's interaction with
the ghost of his father. For example, after Hamlet's first interaction with this ghost, he
puts forth, as Horatio calls them, "wild and whirling words." Why right, you are in the
right, And so without more circumstance at all I hold it fit that we shake hands and part,
You, as your business and desire shall point you, For every man hath business and desire
Such as it is, and for my own poor part, Look you, I will go pray. (1.5.127-134)
Another possibility exists in relation to Act 3 Scene 4 in which Hamlet sees the ghost of
his father, while Gertrude cannot see the specter. It is important to remember that in all
other encounters with the ghost, Hamlet was not the only person to behold the spirit. In
this scene however, Hamlet alone sees this vision. This scene reveals Hamlet's madness at
its pinnacle.
In conclusion, Hamlet's "antic disposition" can easily be understood, through examples of
Hamlet's unpredictable attitude changes, slaughter of innocents, and interactions with the
ghost of his father, to be only the "tip of the iceberg" concerning his unstable mental
state.